CAJ | 학술논문

历史上的铁木真是成吉思汗形象符号化的载体，成吉思汗形象的生成、传播和定型是文化选择的结果。不同文化背景的传播者根据自己的文化需要塑造本群体理想的成吉思汗形象。从《蒙古秘史》到《青史演义》，成吉思汗由普通的人、民族英雄而成为神、仁君，成吉思汗形象由历史进入文学再进入宗教、政治。形成一个具有特定象征意味和复杂内涵的文化符号。
역사상적철목진시성길사한형상부호화적재체，성길사한형상적생성、전파화정형시문화선택적결과。불동문화배경적전파자근거자기적문화수요소조본군체이상적성길사한형상。종《몽고비사》도《청사연의》，성길사한유보통적인、민족영웅이성위신、인군，성길사한형상유역사진입문학재진입종교、정치。형성일개구유특정상정의미화복잡내함적문화부호。
In history Tiemuzhen was the symbolization carrier of Genghis Khan＇ s image. The generation, spread and finalization of Genghis image is the result of the cultural choice. The spreaders with different cultural background shaped Genghis Khan＇ s image as the ideal of their own groups in accordance with their own cultural needs. From Mongolian Secret History to Qin Shi Yan Yi , spreaders transferred Genghis Khan into god, kind and merciful monarch from an average person and national hero and spreaders introduced Genghis Khan＇ s image into history, literature, religion, politics, forming a cultural symbol with specific symbol and complicated connotation.