CAJ | 학술논문

对叙事模式的探讨是把握小说审美特征的有效途径之一。考察中国女性小说的发展史可以发现,女性小说惯于采用内聚焦尤其是第一人称内聚焦的叙事模式。现、当代的女性小说代表作很多都如此造成这一现象的原因。除文学形式发展的内在规律之外。女性性别在历史文化中的从属地位是更深层次的原因。女性作家更依赖于自己的经验世界，女性小说常常呈现出自传化色彩。应该打破二元对立的思维模式,给女性小说以公允的评价。
대서사모식적탐토시파악소설심미특정적유효도경지일。고찰중국녀성소설적발전사가이발현,녀성소설관우채용내취초우기시제일인칭내취초적서사모식。현、당대적녀성소설대표작흔다도여차조성저일현상적원인。제문학형식발전적내재규률지외。녀성성별재역사문화중적종속지위시경심층차적원인。녀성작가경의뢰우자기적경험세계，녀성소설상상정현출자전화색채。응해타파이원대립적사유모식,급녀성소설이공윤적평개。
a probe on narrative model is one of effective ways to master a novel＇s aesthetic trait. Through a review of Chinese feminine novels, it can be discovered that inner focus especially the narrative mode of the first person inner focus is often used in feminine novels, so are the representative of modern anti contemporary feminine novels. The woman＇s inferior status is the deep reason of this phenomenon. Feminine novelists are prone to rely on experience; Feminine novel often took on a color of autobiography. A contradictory thinking mode should be destroyed and a fair evaluation should be returned to feminine novels.