CAJ | 학술논문

本文认为，美国爵士时代的小说家菲茨杰拉德的作品对于作者所处时代和处于发展之中的民族文化（即区域边缘与国家霸权之间的演进关系）作出了回应。正如其小说中的许多人物一样，菲茨杰拉德从国家和典律中感知到阈限性（他自己的作品直到死后才获得盛誉），这使得他依赖于自己认为是最为边远的价值观念。与海明威相比较，菲茨杰拉德在更大程度上将位于美国中心的商品文化小说化，而最终他又出于道德考量将它予以拒绝。菲茨杰拉德从明显的美国文学话语边缘向去世之后被经典化的中心地位的漂移表现在地理、典律、道德三个方面。三者交织，使得学界关于他的纷争超越了现代主义者身份问题，在关于他的人生和文学遗产问题上也是褒贬不一，众说纷纭。
본문인위，미국작사시대적소설가비자걸랍덕적작품대우작자소처시대화처우발전지중적민족문화（즉구역변연여국가패권지간적연진관계）작출료회응。정여기소설중적허다인물일양，비자걸랍덕종국가화전률중감지도역한성（타자기적작품직도사후재획득성예），저사득타의뢰우자기인위시최위변원적개치관념。여해명위상비교，비자걸랍덕재경대정도상장위우미국중심적상품문화소설화，이최종타우출우도덕고량장타여이거절。비자걸랍덕종명현적미국문학화어변연향거세지후피경전화적중심지위적표이표현재지리、전률、도덕삼개방면。삼자교직，사득학계관우타적분쟁초월료현대주의자신빈문제，재관우타적인생화문학유산문제상야시포폄불일，음설분운。
In this essay I argue that the writing of American Jazz Age novelist F. Scott Fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. Like many of the characters in his novels, Fitzgerald＇ s perceived liminality from nation and canon-his work did not achieve repute until after his death-produced, paradoxically, dependence on those values the writer felt most distant from. To a far greater extent than Hemingway, Fitzgerald fictionalized the commodity culture of the American center which he, in time, came to reject in favor of a moral posture. Fitzgerald＇ s migration from the perceived margins of American literary discourse to status as a posthumous, centered canonical figure has three specific dimensions-the geographical, the canonical, and the moral-all of which combine to produce a significant ambivalence, beyond ＂modernist＂ credentials, in his life and legacy.