CAJ | 학술논문

无论从音乐的本源还是发展来看，音乐的娱乐功能始终不存在单纯或显著的“高雅倾向”。引用“祛魅”概念，从美学转变的角度对流行音乐加以考察，不难发现。流行音乐之所以流行，有其基本的社会性因素。基于此，“超女现象”可谓是当代大众化娱乐多元形式的一种催生物。它的娱乐文化意义大于它的音乐意义，视其为低俗加以封杀或者为其所谓民主、自主精神欢呼都是片面的。
무론종음악적본원환시발전래간，음악적오악공능시종불존재단순혹현저적“고아경향”。인용“거매”개념，종미학전변적각도대류행음악가이고찰，불난발현。류행음악지소이류행，유기기본적사회성인소。기우차，“초녀현상”가위시당대대음화오악다원형식적일충최생물。타적오악문화의의대우타적음악의의，시기위저속가이봉살혹자위기소위민주、자주정신환호도시편면적。
Considering its source and growth- history, the function of music has not the character of pure or noted elegance. The writing discusses popular - music from the angles of aesthetics - transforming with quoting the concept of ＂disenchantment＂. Popular - music being popular, the principle lies in its basic social element. The phenomenon of ＂super - girl＂ is derivative of modern popular multi - amusement, and its meaning of amusement is bigger than music. We shouldn＇ t regard it as inferiority and depress it, or endlessly eulogize it for its so -called de mocracy and independent spirit.