CAJ | 학술논문

在传统戏曲中，关于伍子胥的剧目不少，可以说他已经成为复仇母题下一个主要分支的代名词。从元杂剧到明传奇，相应的代表剧作反映了不同时代文人在各自的时代背景下运用不同的文体对这同一个题材的不同思考。明梁辰鱼的传奇《浣纱记》是位于“报吴身亡”系列中的。其中的伍子胥比以往剧中形象多了许多心理活动。本文通过对剧中伍子胥的分析，指出其在忠勇之外多了与常人相同的犹豫，在传奇的经历中少了几分英雄神话色彩，多了人性的塑造。本剧更把多种复仇集中到一本戏中，为我们集中展现了“复仇”具有的特征：个体性，体现了伍子胥系列剧作在明代的特征。
재전통희곡중，관우오자서적극목불소，가이설타이경성위복구모제하일개주요분지적대명사。종원잡극도명전기，상응적대표극작반영료불동시대문인재각자적시대배경하운용불동적문체대저동일개제재적불동사고。명량신어적전기《완사기》시위우“보오신망”계렬중적。기중적오자서비이왕극중형상다료허다심리활동。본문통과대극중오자서적분석，지출기재충용지외다료여상인상동적유예，재전기적경력중소료궤분영웅신화색채，다료인성적소조。본극경파다충복구집중도일본희중，위아문집중전현료“복구”구유적특정：개체성，체현료오자서계렬극작재명대적특정。
Wu Zixu frequently appears in the list of traditional Chinese opera. He has become an important name in the theme of revenge. Representative plays of zaju in the Yuan dynasty or chuanqi in the Ming dynasty reflect literati＇s different viewpoints on the same subject. Notes of Rinsing Yarn by Liang Chenyu of the Ming dynasty added more psychological activity for Wu Zixu. By an analysis of Wu Zixu in the play, the paper points out that he also has human character and is a concentration of characteristics of revenge.