CAJ | 학술논문

文学民族性问题是中国现当代美学文艺学的一个“焦虑中心”，同时也是一个实际上被“个别化”、“边缘化”、“表面化”了的课题。现代人类学将为该问题研究的理论突破和创新提供一种可能。现代人类学立场的核心是肯定人类文化的相对性和差异性。将人的抽象、普遍、同一的本质还原为具体、特殊、多样的存在，最终突出人性的“民族化”身份和特征。立足现代人类学立场，“还原”文学的民族“身份”（特性），不是有没有的问题，而是应否“去蔽”、“还原”的问题，以此反思我们以往的学术研究现状，重构真正中国特色的现代美学一文艺学。
문학민족성문제시중국현당대미학문예학적일개“초필중심”，동시야시일개실제상피“개별화”、“변연화”、“표면화”료적과제。현대인류학장위해문제연구적이론돌파화창신제공일충가능。현대인류학립장적핵심시긍정인류문화적상대성화차이성。장인적추상、보편、동일적본질환원위구체 、특수、다양적존재，최종돌출인성적“민족화”신빈화특정。립족현대인류학립장，“환원”문학적민족“신빈”（특성），불시유몰유적문제，이시응부“거폐”、“환원”적문제，이차반사아문이왕적학술연구현상，중구진정중국특색적현대미학일문예학。
The issue of literary nationality is not only an ＂anxiety center＂ in the fields of modern and contemporary aesthetic and literary studies, but also a subject practically individualized, marginalized and made superficial. Modern anthropology will seek to provide a creative possibility of this research. The nucleus in the standpoint of modern anthropology is to admit the relativity and difference of human culture, trying to reduce the intrinsic quality consisting of abstraction, generality and identity to the concrete, particular and diversified being, and eventually focusing on the human ＂national＂ identity and character. By virtue of such a consideration, this article advances a proposition that the literary national identity （character） should be reduced on the standpoint of modern anthropology. In this opinion, literary nationality is not an is- sue of existence or not, but is one of disclosure and reduction by which we could hope to meditate on the previous research and rebuild a real modern aesthetics-literary theory with Chinese characteristics.