CAJ | 학술논문

20世纪20年代，以张我军为代表的台湾知识分子抱着文化朝圣的愿望最初进入中国大陆文学界，并将大陆新文学运动之风引向台湾，但台湾文学却由于当时台湾的日治身份而并未被中国新文学作家和中国新文学界所重视。这种现象持续到30年代，台湾文学依旧被当作“外国文学”引介。直到40年代中后期，台湾光复前后，《文艺春秋》的主编范泉始在刊物中集中介绍台湾文学，将台湾文学拉进“中国文学”的视野之中。本文力图梳理这种微秒的变化，并分析产生这种变化背后的社会历史背景。
20세기20년대，이장아군위대표적태만지식분자포착문화조골적원망최초진입중국대륙문학계，병장대륙신문학운동지풍인향태만，단태만문학각유우당시태만적일치신빈이병미피중국신문학작가화중국신문학계소중시。저충현상지속도30년대，태만문학의구피당작“외국문학”인개。직도40년대중후기，태만광복전후，《문예춘추》적주편범천시재간물중집중개소태만문학，장태만문학랍진“중국문학”적시야지중。본문력도소리저충미초적변화，병분석산생저충변화배후적사회역사배경。
In 1920s, Taiwan scholars represented by Zhang Wojun approached the literary society of mainland China with the faith of culture pilgrimage. Although they brought the spirit of New Literature Movement back to Taiwan, Chinese New Literature writers and community didn＇t take Taiwan native literature seriously because Taiwan was governed by Japan at that time. Therefore Taiwan literature had been regarded as foreign literature in the following decade. Until Taiwan was restored in the late 1940s, Fan Quan, Chief Editor of Wen Yi Chun Qiu, began to intensively introduce Taiwan literature in his journal and thus brought it back into the concept of Chinese literature. This article tries to trace this process and analyze the social and historical background of the change.