CAJ | 학술논문

影像在人类学田野考察工作当中不仅作为一种研究方法而具体地存在，同时也作为拍摄者与被拍摄者交流、观察事件的互动关系的载体而抽象地存在。通过影像这个媒介，拍摄者、被拍摄者和事件构成了一个特殊的、短期的互动关系。这个关系是由影像表现，由事件引导，由拍摄者和被拍摄者双方的互动支持而形成的。在这个互动关系当中，影像的角色将会是双重的，它既可以是客位的——拍摄者的工具，也可以是主位的——被拍摄者（即“本文化持有者”）的工具。于是，拍摄者和被拍摄者在拍摄过程中，通过影像干预了事件，同时也被事件和影像所干预。
영상재인류학전야고찰공작당중불부작위일충연구방법이구체지존재，동시야작위박섭자여피박섭자교류、관찰사건적호동관계적재체이추상지존재。통과영상저개매개，박섭자、피박섭자화사건구성료일개특수적、단기적호동관계。저개관계시유영상표현，유사건인도，유박섭자화피박섭자쌍방적호동지지이형성적。재저개호동관계당중，영상적각색장회시쌍중적，타기가이시객위적——박섭자적공구，야가이시주위적——피박섭자（즉“본문화지유자”）적공구。우시，박섭자화피박섭자재박섭과정중，통과영상간예료사건，동시야피사건화영상소간예。
Image does not only exist concretely as a research method in anthropological fieldwork, but also exists abstractly as a carrier of communication between the photographer and the photographed and the interacting relationship among observational events. With the media of image, the photographer, the photographed, and event have built up a special and short-term interacting relationship. Within this relationship, the role of image is dual. It can not only be etic——the tool for photographer, but also be emic——the tool for the photographed, the holder of self-culture. Therefore, during the photographic process, the photographer and the photographed interfere in events with image, and meanwhile, are interfered by events and image.