CAJ | 학술논문

从现存人类远古时代的绘画遗迹来看，无论是洞穴壁画、岩画，彩绘、还是石刻绘画，其所使用的工具、材料、表现的内容、题材、手法及风格等均无太大的东西地域差异。而今天，中国画与油画作为绘画其中的两种形式，二者之间的风格却明显不同。当两个画种同时呈现在我们面前时，视觉感受上的差别是不言而语的。它们之间的根本差别是写意体系与写实造型之间的差别，也是画家表达主观思想情感与描绘客观世界之间的差别。
종현존인류원고시대적회화유적래간，무론시동혈벽화、암화，채회、환시석각회화，기소사용적공구、재료、표현적내용、제재、수법급풍격등균무태대적동서지역차이。이금천，중국화여유화작위회화기중적량충형식，이자지간적풍격각명현불동。당량개화충동시정현재아문면전시，시각감수상적차별시불언이어적。타문지간적근본차별시사의체계여사실조형지간적차별，야시화가표체주관사상정감여묘회객관세계지간적차별。
The primitive paintings all over the world, whether cave paintings or mural paintings colour paintings or engraved rock paintings, are more or less similar as far as the tools and materials used, the content, subject and techniques, are concerned, but in the modern times, Chinese painting and oil painting are two distinct genres. The author holds that the difference between the two mainly lies in the different expressive methods and cultural perspectives.