CAJ | 학술논문

模糊是自然语言的本质特征。语言是文学的载体，因此可以说，模糊亦是文学的基本属性。文学模糊的审美价值在于其中的不确定性为读者留下无限的想象空间，从而激活读者的审美想象，使其在解读与鉴赏中完成对原作的接受。元散曲中蕴含各类文学模糊，要让译文读者同原文读者一样鉴赏和接受原作之模糊美，译者就应力争在其译作中再现原作的模糊。
모호시자연어언적본질특정。어언시문학적재체，인차가이설，모호역시문학적기본속성。문학모호적심미개치재우기중적불학정성위독자류하무한적상상공간，종이격활독자적심미상상，사기재해독여감상중완성대원작적접수。원산곡중온함각류문학모호，요양역문독자동원문독자일양감상화접수원작지모호미，역자취응력쟁재기역작중재현원작적모호。
Fuzziness is the intrinsic characteristic of natural language. Language serves as the vehicle of literary works. It can thus be said that literary works are essentially characterized by fuzziness. It is pointed out in this paper that the aesthetic value of literary fuzziness lies in that its indeterminacy leaves enough imagination room for readers, which stimulates them to decode and appreciate the text during which the readers＇ reception is completed. The writer of this paper believes that there are various types of fuzziness involved in Sanqu poetry which are supposed to be reproduced as much as possible in order to let the readers of the target language text equally appreciate and accept the beauty of fuzziness as the readers of the source language text do.