内蒙古民族大学学报：社会科学版
內矇古民族大學學報：社會科學版
내몽고민족대학학보：사회과학판
Journal of Inner Mongolia University for the Nationalities(Social Sciences)
2008年
3期
54~56
,共null页
香菱 形象 艺术内涵 审美境界
香蔆 形象 藝術內涵 審美境界
향릉 형상 예술내함 심미경계
Xiangling; Image; Artistic connotation; Aesthetic realm
“根并荷花一茎香”是香菱形象的真实写照。香菱对自己名字的诗意叙述不仅为我们展现了香菱的诗意化形象及其丰富的艺术内涵，而且为我们预设了一个欣赏文本的审美境界。这种审美境界正是通向审美彼岸的一个桥梁。本文试从一定的审美境界下，对文本进行细致分析，从而整体上把握香菱形象及艺术内涵。
“根併荷花一莖香”是香蔆形象的真實寫照。香蔆對自己名字的詩意敘述不僅為我們展現瞭香蔆的詩意化形象及其豐富的藝術內涵，而且為我們預設瞭一箇訢賞文本的審美境界。這種審美境界正是通嚮審美彼岸的一箇橋樑。本文試從一定的審美境界下，對文本進行細緻分析，從而整體上把握香蔆形象及藝術內涵。
“근병하화일경향”시향릉형상적진실사조。향릉대자기명자적시의서술불부위아문전현료향릉적시의화형상급기봉부적예술내함，이차위아문예설료일개흔상문본적심미경계。저충심미경계정시통향심미피안적일개교량。본문시종일정적심미경계하，대문본진행세치분석，종이정체상파악향릉형상급예술내함。
The poetic description of Xiangling to her own name not only gave us the poetic image and rich artistic connotation of Xiangling but also presupposed the aesthetic realm of an appreciated text. The aesthetic realm was just a bridge to the aesthetic destination. Through this article, the author made serious analysis to the text from certain aesthetic realm and took on the image and artistic connotation of Xiangling to us in general.
