CAJ | 학술논문

在现代派诗人戴望舒的理论著作《诗论零札》中，我们可以发现，现代派诗歌的核心，是情绪二字。诗的内容是表现诗人的情绪，诗的外在形式也决定于情绪，诗歌中意象的罗列也是以文字来表现的情绪的。情绪在现代艺术观中占有重要的地位，它既是诗人的世界观，也是诗人的创作追求．中国现代派诗人在作品中回避现实生活中的矛盾斗争，一方面亲近自然，一方面躲进个人的情感世界，在个人的爱情世界中自我麻醉，寻找慰藉。这一派诗人的作品既有很强的感染力，更易对人们的情感进行熏陶。如何正视作品中的消极情绪，把握作品中的自我情感的宣泄，因此，在这类作品中的情感教育显得颇为重要。
재현대파시인대망서적이론저작《시론령찰》중，아문가이발현，현대파시가적핵심，시정서이자。시적내용시표현시인적정서，시적외재형식야결정우정서，시가중의상적라렬야시이문자래표현적정서적。정서재현대예술관중점유중요적지위，타기시시인적세계관，야시시인적창작추구．중국현대파시인재작품중회피현실생활중적모순두쟁，일방면친근자연，일방면타진개인적정감세계，재개인적애정세계중자아마취，심조위자。저일파시인적작품기유흔강적감염력，경역대인문적정감진행훈도。여하정시작품중적소겁정서，파악작품중적자아정감적선설，인차，재저류작품중적정감교육현득파위중요。
In the modernist school poet DAI Wang-shu＇s theory work Notes on Poetics, we may find that the core of the modernist school poetry is mood. The poem content displays poet＇s mood; the poem＇s form is also determined by mood; in the poem the image is also displayed by the writing mood. The mood holds the important position in the modem art view. It is not only the poet＇s world outlook, but also the poet＇s creation pursuit. Chinese modernist school poets avoid contradictions and struggle of the real life in their works. On the one hand, they intimate with the nature; on the other hand, they hide in their emotional world, in individual love world for self-anaesthesia and solace. This school of poets＇ works has very strong power and can edify people＇s emotion. It is quite important for affective education of this kind of work＇s to face the passive mood and grasp emotional catharsis in such works.