CAJ | 학술논문

格拉斯的《剥洋葱》几乎成了世界的文化事件，其意义却绝非只是简单的“爆料”，而是体现了格拉斯一以贯之的立场：作为“针对流逝的时间写作”的公民，以真正启蒙的精神再三撕开伤口，不断反思往昔。本文分析这部自传体写作，从记忆与回忆、诗与真、主我与客我、个体记忆与文化记忆、现代与后现代等张力关系的角度，探讨格拉斯有关“记忆工作”的观点及其百折不挠的拒绝“忘川”的努力。
격랍사적《박양총》궤호성료세계적문화사건，기의의각절비지시간단적“폭료”，이시체현료격랍사일이관지적립장：작위“침대류서적시간사작”적공민，이진정계몽적정신재삼시개상구，불단반사왕석。본문분석저부자전체사작，종기억여회억、시여진、주아여객아、개체기억여문화기억、현대여후현대등장력관계적각도，탐토격랍사유관“기억공작”적관점급기백절불뇨적거절“망천”적노력。
Grass＇s Peeling the Onion has almost become a global cultural event. It is not simply a tell-all, but also a revelation of Grass＇ s consistent standpoint： as a citizen who writes ＂against the stream of time＂, he adopts genuine enlightening spirit to reopen the wounds and reflect over the past. This paper attempts to discuss this autobiographical work, and through the exploration of the relations between memory and remembrance, poetry and truth, I and Me, individual memory and cultural memory, modernism and postmodernism, etc, it tries to probe into Grass＇s views about Erinnerungsarbeit （memory work） and his continuous efforts in discarding Lethe.