CAJ | 학술논문

本文介绍了作为《乞丐歌剧》现代版的《三角钱歌剧》的内容、产生的时代背景及当时的戏剧思潮。从改编者布莱希特的人生观和戏剧观去剖析《三剧》与《乞剧》之不同，阐明《三剧》的真谛是揭示资本主义社会的本质。并介绍了曲作者魏尔及其创作思想、他对通俗歌剧的贡献。强调文艺作品改编和移植的原则是掌握原创的主题思想。
본문개소료작위《걸개가극》현대판적《삼각전가극》적내용、산생적시대배경급당시적희극사조。종개편자포래희특적인생관화희극관거부석《삼극》여《걸극》지불동，천명《삼극》적진체시게시자본주의사회적본질。병개소료곡작자위이급기창작사상、타대통속가극적공헌。강조문예작품개편화이식적원칙시장악원창적주제사상。
This thesis introduces the content, background and the trend of thought of Three-Penny Opera, the modem version of The Beggar＇s Opera, analyzes the difference of the two operas from the point of Bertolt Brecht life value and opera perception, and states that the play revealed the essence of the capitalism. The thesis also introduces Kurt Well, the music writer, his thoughts on music writing, and his contribution on popular opera, and stresses that the principle of adaption and transplantation of an artistic works is to grasp the theme of the original work.