CAJ | 학술논문

19世纪末20世纪初，以法国演员哥格兰（1841—1909）的言行思维与舞台表现为标志，表演体系中的“表现派”宣告诞生，以其桀骜不驯的新面貌与传统的“体验派”分庭抗礼；与此同时，表现主义戏剧在毕希纳、魏德金、斯特林堡的作品中开始进行探索，随后的一二十年中，凯泽、托勒的一系列经典剧目相继诞生，表现主义戏剧正式确立。这种戏剧艺术风格和表演方式不约而同的确立，彰显着表现主义戏剧与表现派之间的相互对应。同时，也是20世纪初人类生存环境总体变更背景下戏剧面貌变更的必然要求。
19세기말20세기초，이법국연원가격란（1841—1909）적언행사유여무태표현위표지，표연체계중적“표현파”선고탄생，이기걸오불순적신면모여전통적“체험파”분정항례；여차동시，표현주의희극재필희납、위덕금、사특림보적작품중개시진행탐색，수후적일이십년중，개택、탁륵적일계렬경전극목상계탄생，표현주의희극정식학립。저충희극예술풍격화표연방식불약이동적학립，창현착표현주의희극여표현파지간적상호대응。동시，야시20세기초인류생존배경총체변경배경하희극면모변경적필연요구。
During the period of the end of the 19th century to the early 20th century, being marked with the French actor, Coquelin （1841 - 1909）＇s thinking of words ＆ deeds and the stage presentation, expressional School declared its birth and equaled with traditional performing experience defiantly. At the same time, some Expressionist playwrights, such as Buchner, Wedekind, and Strindberg, began to do some expressionistic exploration in their works. In the following two decades, a series of classical repertoire written by Kaiser and Towler were born one after another, and this is generally considered as the real establishment of so - called the Expressional School. The expressionistic drama is rather different both in art style and in the way of performing from other traditional schools during the whole history of drama, and shows the correspondence between the expressionism and the expressional school. Furthermore, the appearance of expressionistic drama is also the inevitable outcome in the background of social change of the early 20th century.