浙江大学学报:人文社会科学版
浙江大學學報:人文社會科學版
절강대학학보:인문사회과학판
Journal of Zhejiang University(Humanities and Social Sciences)
2009年
3期
87~93
,共null页
创新理论 创新文化 文化范式 新价值主义
創新理論 創新文化 文化範式 新價值主義
창신이론 창신문화 문화범식 신개치주의
innovation theory; innovation culture; cultural paradigm; new axiology
创新文化源自熊彼特创新理论。在我国,创新文化作为一个科学概念,是20世纪90年代末伴随着国家创新体系建设而提出的。创新文化是与创新实践相关的,以追求变革、崇尚创新为基本理念和价值取向的多种文化形态的总和,包括创新性的观念文化、制度文化和环境文化三个层面。在创新文化发展过程中,形成了三种主导性文化范式:“新价值主义”范式、“创新型国家主导”范式和“产消合一革命”范式。“新价值主义”范式以创新主体为观测点,其动力源自观念革命;“创新型国家主导”范式以作为创新主导的“国家”为观察点,其动力源自国家的创新追求;而“产消合一革命”范式则以生产者与消费者关系为观察点,其动力源自生产关系与消费方式的变革。
創新文化源自熊彼特創新理論。在我國,創新文化作為一箇科學概唸,是20世紀90年代末伴隨著國傢創新體繫建設而提齣的。創新文化是與創新實踐相關的,以追求變革、崇尚創新為基本理唸和價值取嚮的多種文化形態的總和,包括創新性的觀唸文化、製度文化和環境文化三箇層麵。在創新文化髮展過程中,形成瞭三種主導性文化範式:“新價值主義”範式、“創新型國傢主導”範式和“產消閤一革命”範式。“新價值主義”範式以創新主體為觀測點,其動力源自觀唸革命;“創新型國傢主導”範式以作為創新主導的“國傢”為觀察點,其動力源自國傢的創新追求;而“產消閤一革命”範式則以生產者與消費者關繫為觀察點,其動力源自生產關繫與消費方式的變革。
창신문화원자웅피특창신이론。재아국,창신문화작위일개과학개념,시20세기90년대말반수착국가창신체계건설이제출적。창신문화시여창신실천상관적,이추구변혁、숭상창신위기본이념화개치취향적다충문화형태적총화,포괄창신성적관념문화、제도문화화배경문화삼개층면。재창신문화발전과정중,형성료삼충주도성문화범식:“신개치주의”범식、“창신형국가주도”범식화“산소합일혁명”범식。“신개치주의”범식이창신주체위관측점,기동력원자관념혁명;“창신형국가주도”범식이작위창신주도적“국가”위관찰점,기동력원자국가적창신추구;이“산소합일혁명”범식칙이생산자여소비자관계위관찰점,기동력원자생산관계여소비방식적변혁。
Innovation culture, originated from J. Schumpeter's Innovation Theory, is the combination of various innovation-practice-related cultural forms whose basic concept and value orientation focus on pursuing change and advocating innovation. It includes three levels: innovative idea culture, institutional culture and environment culture. During the development of innovation culture, three dominant paradigms of innovation culture have been suggested: the New Axiology Paradigm, the Innovative-nation Paradigm and the Revolutionary Presume Paradigm. The New Axiology Paradigm, with innovation subject as the observation point, is fueled by idea revolution. The Innovative-nation Paradigm, with "nation"--the leading role of innovation--as the observation point, is fueled by the nation's innovation pursuit. And the Revolutionary Presume Paradigm, with the relationship between producers and consumers as its observation point, is fueled by the revolution of the production relations and consumption patterns.