武汉大学学报：人文科学版
武漢大學學報：人文科學版
무한대학학보：인문과학판
Wuhan University Journal (Humanity Sciences)
2009年
3期
281~285
,共null页
和 中和 范畴 美
和 中和 範疇 美
화 중화 범주 미
harmony; neutrality; aesthetic view; category of beauty
中国古典美学以“和”为美的实质是以“中和”为美。蕴含诸多文化意蕴的中和之美体现了中国古代艺术的根本精神，是古代中国人生实践和艺术创造的最高理想，其内在特征是刚柔相济，外在表现是文质彬彬。中和之美的理想和追求渗透着古代社会对人的、道德伦理的、社会政治的理想，是“天人合一”的至美。
中國古典美學以“和”為美的實質是以“中和”為美。蘊含諸多文化意蘊的中和之美體現瞭中國古代藝術的根本精神，是古代中國人生實踐和藝術創造的最高理想，其內在特徵是剛柔相濟，外在錶現是文質彬彬。中和之美的理想和追求滲透著古代社會對人的、道德倫理的、社會政治的理想，是“天人閤一”的至美。
중국고전미학이“화”위미적실질시이“중화”위미。온함제다문화의온적중화지미체현료중국고대예술적근본정신，시고대중국인생실천화예술창조적최고이상，기내재특정시강유상제，외재표현시문질빈빈。중화지미적이상화추구삼투착고대사회대인적、도덕윤리적、사회정치적이상，시“천인합일”적지미。
In Chinese classical aesthetics, the essence of regarding neutrality as beauty is regarding harmony as beauty. The beauty of neutrality, containing various cultural connotations, reflects not only the fundamental spirit of the ancient Chinese art but also the highest ideal for the ancient Chinese people to practice life and art creation. Moreover, the intrinsic characteristics of the beauty of neutrality is tempering toughness with gentleness and its external representation is being urbane. The beauty of neutrality, called superior beauty of ＂harmony of man with nature＂, embodies the ideals of social ethics and morals, social politics and human life in ancient society.
