厦门大学学报:哲学社会科学版
廈門大學學報:哲學社會科學版
하문대학학보:철학사회과학판
Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences)
2009年
3期
84~90
,共null页
法国文学批评 判断 鉴赏 诠释
法國文學批評 判斷 鑒賞 詮釋
법국문학비평 판단 감상 전석
French literary criticism, judgement, appreciation, interpretation
法国文学批评历经五百多年沧桑,批评观念经历了判断、鉴赏、诠释三个阶段的嬗变。在法国文艺复兴时期诞生的判断性批评先后出现了“先验”与“后天”批评两种形态;起源于18世纪的鉴赏性批评,后来发展成“同情批评”与“印象批评”两种模式;发端于19世纪初的诠释性批评,演变到20世纪,则分为“科学意图的象征性批评”及“美学阐释批评”;而罗兰·巴特在新批评方面独树一帜,不乏高论,引领着后现代文学批评。通过厘清法国文学批评观念的演变历程,可明确每一批评观念的分类、特征及走向,从而为中国文学批评寻找可资借鉴的途径。
法國文學批評歷經五百多年滄桑,批評觀唸經歷瞭判斷、鑒賞、詮釋三箇階段的嬗變。在法國文藝複興時期誕生的判斷性批評先後齣現瞭“先驗”與“後天”批評兩種形態;起源于18世紀的鑒賞性批評,後來髮展成“同情批評”與“印象批評”兩種模式;髮耑于19世紀初的詮釋性批評,縯變到20世紀,則分為“科學意圖的象徵性批評”及“美學闡釋批評”;而囉蘭·巴特在新批評方麵獨樹一幟,不乏高論,引領著後現代文學批評。通過釐清法國文學批評觀唸的縯變歷程,可明確每一批評觀唸的分類、特徵及走嚮,從而為中國文學批評尋找可資藉鑒的途徑。
법국문학비평력경오백다년창상,비평관념경력료판단、감상、전석삼개계단적선변。재법국문예복흥시기탄생적판단성비평선후출현료“선험”여“후천”비평량충형태;기원우18세기적감상성비평,후래발전성“동정비평”여“인상비평”량충모식;발단우19세기초적전석성비평,연변도20세기,칙분위“과학의도적상정성비평”급“미학천석비평”;이라란·파특재신비평방면독수일치,불핍고론,인령착후현대문학비평。통과전청법국문학비평관념적연변역정,가명학매일비평관념적분류、특정급주향,종이위중국문학비평심조가자차감적도경。
In more than five hundred years, the concepts of French literary criticism have come through three phases of evolution:judgement, appreciation and interpretation. The critique of judgement, formed in the French Renaissance includes two types:"a priori critique" and "aposteriori critique". The critique of appreciation, originating in the 18th century, has also two types: critique of identification and impressionist critique. The critique of interpretation, beginning in the 19th century and developing through the 2Oth century, can be divided into "symbolistic critique of scientific intention" and "aesthetic critique of interpretation". Roland Barthes, full of brilliant views and leading the post-modem literary criticism, has developed a school of his own in the New Criticism. By making clear the development of French literary criticism, defining the classification, characteristics and trend of every critical concept, the article tries to search effective approaches for the development of Chinese literary criticism.