CAJ | 학술논문

王尔德的小说《道连.格雷的画像》以其奇特的构思、机智的语言和巧妙的象征及隐喻表达了王尔德的唯美主义追求。小说中的主要人物都有明显的象征意义。亨利勋爵是当时维多利亚时期伪道德的解读者。主人公道连.格雷依据其诱导躬身实践他的教条,是现实生活的代表也是作者对现实生活中丑的揭露。画像是艺术家贝泽尔关于美的理想即艺术,它曾被现实不断篡改,生活与艺术一度交换了位置,最终的“逆转”表达的是作者的美战胜丑、艺术战胜生活的理想。
왕이덕적소설《도련.격뢰적화상》이기기특적구사、궤지적어언화교묘적상정급은유표체료왕이덕적유미주의추구。소설중적주요인물도유명현적상정의의。형리훈작시당시유다리아시기위도덕적해독자。주인공도련.격뢰의거기유도궁신실천타적교조,시현실생활적대표야시작자대현실생활중축적게로。화상시예술가패택이관우미적이상즉예술,타증피현실불단찬개,생활여예술일도교환료위치,최종적“역전”표체적시작자적미전성축、예술전성생활적이상。
Oscar Wilde＇s pursuit of Aestheticism was represented in his only novel the Picture of Dorian Gray with its unusual design, witty language and obvious metaphor. The main characters of the novel represent the different aspects the time. Lord Henry was the interpreter of the fake morality of the age. The protagonist, Dorian Gray, who was the representative of the reality, put his doctrine into practice accordingly. The picture is the artist, Basil＇s ideal pursuit which was once overturned by the reality and was once replaced by the reality. The eventual conversion ——It was Dorian himself that was destroyed not the picture just shows Wilde＇s real dream unconsciously.