天津大学学报:社会科学版
天津大學學報:社會科學版
천진대학학보:사회과학판
Journal of Tianjin University(Social Sciences)
2009年
4期
375~378
,共null页
重彩画 气韵 意境 色彩
重綵畫 氣韻 意境 色綵
중채화 기운 의경 색채
color painting ; artistic spirit; artistic mood ; color
近些年,重彩画快速发展,形式风格多样,但大多陷于制作或吸收西画因素过多。作为民族绘画,重彩画应深深积淀于民族土壤之中,传统绘画的精髓——气韵和意境不能丢失。试图从材料制作和色彩方面,探讨当代重彩画的气韵和意境的表现形式。
近些年,重綵畫快速髮展,形式風格多樣,但大多陷于製作或吸收西畫因素過多。作為民族繪畫,重綵畫應深深積澱于民族土壤之中,傳統繪畫的精髓——氣韻和意境不能丟失。試圖從材料製作和色綵方麵,探討噹代重綵畫的氣韻和意境的錶現形式。
근사년,중채화쾌속발전,형식풍격다양,단대다함우제작혹흡수서화인소과다。작위민족회화,중채화응심심적정우민족토양지중,전통회화적정수——기운화의경불능주실。시도종재료제작화색채방면,탐토당대중채화적기운화의경적표현형식。
Color painting developed rapidly with variety of styles in recent years, but works excessively emphasized the material or assimilated too many elements of western painting. Color painting, as a national form of fine art, should be deeply rooted in the national spirit, maintaining its character and artistic mood. This article attempts to reveal the technique used by color painting to express its charm and beauty.