CAJ | 학술논문

生活在社会底层的小人物是台湾新电影最为重要的关注对象。侧重于小人物情绪感受的抒发而不强调情节的戏剧化，使新电影呈现出散文化特征，对小人物的精神困境予以关爱的人文精神和将小人物与大时代相结合的历史视野，又使台湾新电影具有了诗意情怀和史诗风格，这些便是台湾新电影“底层叙述”最为突出的特征。
생활재사회저층적소인물시태만신전영최위중요적관주대상。측중우소인물정서감수적서발이불강조정절적희극화，사신전영정현출산문화특정，대소인물적정신곤경여이관애적인문정신화장소인물여대시대상결합적역사시야，우사태만신전영구유료시의정부화사시풍격，저사편시태만신전영“저층서술”최위돌출적특정。
Nobodies living at the bottom of society attract the most attention of Taiwanese new films. Putting emphasis on the expression of emotions of the nobodies rather than on the dramatic plot, the Taiwanese new film is characterized by featuring a style of essay. Showing love to nobodies＇ spiritual predicament and unifying the nobodies with the great time they live in, the Taiwanese new film displays poetic sentiments as well as an epic style. That is the most prominent characteristic of the underlying narrative in the Taiwanese new film.