CAJ | 학술논문

任何艺术创造都是源于情感而归于理智，伟大的艺术家就是在情感与理智之间寻找人类悲欢的平衡感。当这种创造与民族情感相关的时候，我们不得不思考杨丽萍的《雀之灵》、《云南映像》给我们带来的审美力量与创作思辨；当这种创造与利益无关时，我们又必须面对《藏谜》给予我们的信仰记忆。有人说杨丽萍是在以“原生态”的名义在“做秀”，也有人说杨丽萍是在以“原生态”的名义在“破坏”原生态。然而，当一种“做秀”成为艺术家民族情感的体验，当一种“破坏”成为民间舞蹈艺术发展自在规律的写照时，我们作为文艺工作者还能说什么？又应该做些什么？作为本文的一个学辩出发点，从“原生态”的心理情结与艺术的时代变革入手，对舞台民间舞蹈的原生意义进行辨对。虽然未必能够给出一个详尽的“情感解读”，至少可以受此驱动进入到实质性意义的“理性思考”当中。
임하예술창조도시원우정감이귀우리지，위대적예술가취시재정감여리지지간심조인류비환적평형감。당저충창조여민족정감상관적시후，아문불득불사고양려평적《작지령》、《운남영상》급아문대래적심미역량여창작사변；당저충창조여이익무관시，아문우필수면대《장미》급여아문적신앙기억。유인설양려평시재이“원생태”적명의재“주수”，야유인설양려평시재이“원생태”적명의재“파배”원생태。연이，당일충“주수”성위예술가민족정감적체험，당일충“파배”성위민간무도예술발전자재규률적사조시，아문작위문예공작자환능설십요？우응해주사십요？작위본문적일개학변출발점，종“원생태”적심리정결여예술적시대변혁입수，대무태민간무도적원생의의진행변대。수연미필능구급출일개상진적“정감해독”，지소가이수차구동진입도실질성의의적“이성사고”당중。
All artistic creations experience a process from sensibility to sense, where many great artists have always sought balance between human＇s joys and sorrows. When the creations are associated with national feelings, we have to consider the aesthetic strength and critical thinking of creation aroused by Yang Liping＇s dance works such as Spirit of Peacock＂ and Dynamic Yunnan. When productions have no relation with profits, we have to be confronted with the faith memories given by another of her dance works Mystery of fibet . Some people said that Yang Liping was making a ＇show＇ in the name of the ＂original existence＂ while others said Yang was ＇destroying＇ the original existence of life in the name of the ＂original existence＂. However, what should we say and do as art and literature workers with a ＇show＇ being artists＇ experience of national feelings and a ＇damage＇ being a natural process of development of the folk dance. The essay deals with the significance of original existence of folk dance on stage from perspective of psychological complex of ＂original existence＂ and social changes, hoping to offer ＂emotional understanding＂ through substantive ＂rational thinking＂.