CAJ | 학술논문

从陈端生的《再生缘》到侯芝的《金闺杰》、《再造天》，再到邱心如的《笔生花》，清代女作家弹词形成了一个阅读、批评与创作相交织的链条，后一部作品是对前一部作品的回应和再创造。《再生缘》的“颠倒阴阳”引起了包括侯芝在内的闺秀才女的非议，而邱心如在继承《再生缘》“为女子张目”主题的前提下，对故事的框架和具体细节都作了一些巧妙的设置，既隐秘地表达了她的诉求，又使文中的叛逆性始终包含在温情的道德氛围中，体现出她作为闰塾师的创意。
종진단생적《재생연》도후지적《금규걸》、《재조천》，재도구심여적《필생화》，청대녀작가탄사형성료일개열독、비평여창작상교직적련조，후일부작품시대전일부작품적회응화재창조。《재생연》적“전도음양”인기료포괄후지재내적규수재녀적비의，이구심여재계승《재생연》“위녀자장목”주제적전제하，대고사적광가화구체세절도작료일사교묘적설치，기은비지표체료저적소구，우사문중적반역성시종포함재온정적도덕분위중，체현출저작위윤숙사적창의。
The fiddle ballads in Chinese Southern dialects （Tanci） by women writers during the Qing Dynasty are interwoven into a chain of reading, criticism and creation from Chen Duansheng＇ s The Reincarnated Marriage to Hou Zhi＇s The Talent in The Boudoir and The Recreated Heaven and, again to Qiu Xinru＇s The Blossom Pen. That is, the latter one is always its response and rewritten to the former one, and so on. Because of Chen Duansheng＇ s unique style of reverse Yin and Yang, so many female writers can＇ t help correcting it by writing Tanci. Hou Zhi＇ s Recreated Heaven made Meng Lijun repent of her sin. More, Qiu Xinru is the spokesman for women under the shield of the filial duty, she modifies The Reincarnated Marriage＇s novel frame and plots, not only applied her aspiration, but also conceal the rebel consciousness in the atmosphere of tender affection of morality.