外语教学
外語教學
외어교학
Foreign Language Education
2009年
5期
82~85
,共null页
荒诞 解构 二元对立 语言 存在
荒誕 解構 二元對立 語言 存在
황탄 해구 이원대립 어언 존재
absurdity; deconstruction; binary opposition; language ; existence
美国荒诞派作家阿尔比在美国戏剧界影响深远，他的代表作之一，《谁害怕弗吉尼亚·伍尔夫？》在百老汇连续上演两年之久。通过对剧中四组二元对立：在场与缺场、现实与幻想、游戏与战争、爱与恨的剖析，阿尔比表现人类存在的荒诞本质得到了展现；他对人类存在的理解也包含许多解构的中心要旨。文学文本与哲学被并置，可以说荒诞剧是解构的萌芽；剧作的荒诞性又在一定程度上预演了作为后结构主义一部分的解构主义浪潮。
美國荒誕派作傢阿爾比在美國戲劇界影響深遠，他的代錶作之一，《誰害怕弗吉尼亞·伍爾伕？》在百老彙連續上縯兩年之久。通過對劇中四組二元對立：在場與缺場、現實與幻想、遊戲與戰爭、愛與恨的剖析，阿爾比錶現人類存在的荒誕本質得到瞭展現；他對人類存在的理解也包含許多解構的中心要旨。文學文本與哲學被併置，可以說荒誕劇是解構的萌芽；劇作的荒誕性又在一定程度上預縯瞭作為後結構主義一部分的解構主義浪潮。
미국황탄파작가아이비재미국희극계영향심원，타적대표작지일，《수해파불길니아·오이부？》재백로회련속상연량년지구。통과대극중사조이원대립：재장여결장、현실여환상、유희여전쟁、애여한적부석，아이비표현인류존재적황탄본질득도료전현；타대인류존재적리해야포함허다해구적중심요지。문학문본여철학피병치，가이설황탄극시해구적맹아；극작적황탄성우재일정정도상예연료작위후결구주의일부분적해구주의랑조。
American Absurdist playwright Edward Albee has a great influence in American dramatic circle. One of his masterpieces, Who＇ s Afraid of Virginia Woolf？, were staged on Broadway for two years on end. An analysis of four pairs of binary oppositions in the play： presence and absence, reality and illusion, game and war, love and hate, finds that Albee presents the absurd nature of human existence and that his understanding of human existence includes the central gist of deconstruction. Literary texts and philosophy being juxtaposed, absurdist plays could be called the bud of deeonstruetion. To a certain degree, the absurdity of the play is a rehearsal of reconstruction wave which is a part of post-strueturalism.
