广东教育学院学报
廣東教育學院學報
엄동교육학원학보
Journal of Guangdong Education Institute
2009年
4期
106~112
,共null页
马 创作意念 审美
馬 創作意唸 審美
마 창작의념 심미
horse ; creative ideas; aesthetics
从“马”在中西文化中的意义和地位溯源关于“马”图像的艺术创作。通过时间与空间、传统与现代等方面的对比,并结合作者的创作实践来探讨以“马”为题材的创作和剖析与之相关的作品在审美上的社会性以及创作的意义和价值,旨在对关于“马”的艺术风格的发展、成熟作深层次的思考。
從“馬”在中西文化中的意義和地位溯源關于“馬”圖像的藝術創作。通過時間與空間、傳統與現代等方麵的對比,併結閤作者的創作實踐來探討以“馬”為題材的創作和剖析與之相關的作品在審美上的社會性以及創作的意義和價值,旨在對關于“馬”的藝術風格的髮展、成熟作深層次的思攷。
종“마”재중서문화중적의의화지위소원관우“마”도상적예술창작。통과시간여공간、전통여현대등방면적대비,병결합작자적창작실천래탐토이“마”위제재적창작화부석여지상관적작품재심미상적사회성이급창작적의의화개치,지재대관우“마”적예술풍격적발전、성숙작심층차적사고。
Due to the meaning and importance of horse in the Chinese and western culture, horses have been described as a carrier of art. The image of horses has offered multiple space and channels as well as a lot of inspiration to art painting. In combination of the author's creation experience, the paper makes a comparison of time and space, tradition and modernity, probes into the creative ideas of artwork with horse as the subject. This paper will focus on its aesthetic sociality, as well as the significance and value of the creation.