CAJ | 학술논문

郁达夫在留日期间就深受马克思主义理论的影响，因此在他的文艺理论、尤其是创作主体观的论述中带有马克思文艺美学的倾向。他以“天才观”、“自叙传”、“情绪史”的形式强调创作个性，同时又以“零余者”的形象、感伤的情绪，折射出特定时代和社会的不幸。
욱체부재류일기간취심수마극사주의이론적영향，인차재타적문예이론、우기시창작주체관적논술중대유마극사문예미학적경향。타이“천재관”、“자서전”、“정서사”적형식강조창작개성，동시우이“령여자”적형상、감상적정서，절사출특정시대화사회적불행。
Yu Dafu was deeply impacted by Marxist theory when he studied in Japan, so his literary theory, especially his main concept of creativity contains the tendency of Marxist aesthetics. He emphasizes creative personality in the form of ＂genius＂, ＂auto- biography ＂ and ＂emotional history＂ and at the same time reflects a particular time and social misfortunes in the image of ＂extra person＂ and a sentimental mood.