CAJ | 학술논문

魏晋诗歌创作逐渐走向繁盛，并成为独立文学门类，因此在文论中出现对诗歌创作需凸显其特性的自觉。从“诗赋欲丽”到“缘情”“绮靡”，显示了对诗歌审美特性认识逐渐走向深刻，并渐渐冲破从先秦至汉代“诗言志”的社会道德伦理要求和“礼”的规范，从而在中国古典诗论史上产生了强调为政教服务和强调自由抒发情感并行的两种诗学主张，对后世影响甚深。“缘情”、“绮靡”对诗歌的要求显现出在魏晋时期文人们对诗歌审美特性的自觉提倡。
위진시가창작축점주향번성，병성위독립문학문류，인차재문론중출현대시가창작수철현기특성적자각。종“시부욕려”도“연정”“기미”，현시료대시가심미특성인식축점주향심각，병점점충파종선진지한대“시언지”적사회도덕윤리요구화“례”적규범，종이재중국고전시론사상산생료강조위정교복무화강조자유서발정감병행적량충시학주장，대후세영향심심。“연정”、“기미”대시가적요구현현출재위진시기문인문대시가심미특성적자각제창。
During Wei and Jin Dynasties, poetry creation literary form. So there was a self-consciousness of poetic such as ‘poetry aspiring to beauty＇, ‘affection-oriented＇ gradually flourished and became an independent character in literary theory. The critical terms, and ＇sensuous intricateness＇ analyzing the character of poetic writing and appreciation, became more complicated and thorough and liberated the poetry from the moral and ethical restrictions by Confucius from Qin to Han dynasty. Thus, there formed two different views in Chinese poetic history： poetry for politics and education, and poetry for expressing one＇ s mind and affection. And ＇affection-oriented＇ and ＇sensuous intricateness＇ are the self-awareness of poetry＇s character in Wei and Jin Dynasties.