CAJ | 학술논문

20世纪西方受语言学转向影响而消解作者的形式主义文论主要有俄国形式主义、布拉格学派、新批评和结构主义等,本文主要考察这些理论中作者观念的变迁,并通过揭示索绪尔结构主义语言学的局限和盲视来恢复作者的地位和在场,即过于强调语言的自律性,而忽视了语言的人文功能和文化内涵;排斥主体在语言系统中的作用,忽视对言语语言学规律的研究。最后指出,文学既是作者个人的一种私人言说,具有此时此地的独一无二性,充盈着作者个人独特的生命体验;更是一种话语实践,是作者与他人、与社会进行沟通交流的媒介。作者在文本中是必不可少的在场。
20세기서방수어언학전향영향이소해작자적형식주의문론주요유아국형식주의、포랍격학파、신비평화결구주의등,본문주요고찰저사이론중작자관념적변천,병통과게시색서이결구주의어언학적국한화맹시래회복작자적지위화재장,즉과우강조어언적자률성,이홀시료어언적인문공능화문화내함;배척주체재어언계통중적작용,홀시대언어어언학규률적연구。최후지출,문학기시작자개인적일충사인언설,구유차시차지적독일무이성,충영착작자개인독특적생명체험;경시일충화어실천,시작자여타인、여사회진행구통교류적매개。작자재문본중시필불가소적재장。
In 20th century, the formalism literature theory such as Russian formalism , Prague School, New criticism and Strueturalism all deconstruct the author Under the influence of linguistic turn. In order to re - establish the author this paper aims at investigating the changing of the concept of the author in these theory and revealing the the limits and blindness of Saussure＇s theory. The paper points out that the linguistics theory of Saussure stress of too much on self - discipline of the language and ignore the Connotations of humanities and culture of the languages the other hand, it removes the subject out of language system and lack of studying in the parole. In the end, the paper believes that literature is the private speech of the author and filled with life experience of the author thus has a uniqueness. What is more, it is a discourse practice and a media by which the author communicates with others. Thence the author is essential presence at the text.