南京师范大学文学院学报
南京師範大學文學院學報
남경사범대학문학원학보
Journal of Chinese Language and Culture School Nanjing Normal University
2009年
3期
129~134
,共null页
《画皮》 恐怖电影 转向
《畫皮》 恐怖電影 轉嚮
《화피》 공포전영 전향
Painted Skin; Chinese horror movie; aesthetics; turning point;
新版《画皮》的出现打破了中国恐怖片多年的沉寂,它以强烈的本土意识和浓厚的现代意识完成了对中国恐怖电影审美内容上的转向,以对经典的回归与表现的唯美完成了中国恐怖电影审美形式上的转向,在社会意义及视听效果的同步追求中实现了中国恐怖电影一次华丽的转身。
新版《畫皮》的齣現打破瞭中國恐怖片多年的沉寂,它以彊烈的本土意識和濃厚的現代意識完成瞭對中國恐怖電影審美內容上的轉嚮,以對經典的迴歸與錶現的唯美完成瞭中國恐怖電影審美形式上的轉嚮,在社會意義及視聽效果的同步追求中實現瞭中國恐怖電影一次華麗的轉身。
신판《화피》적출현타파료중국공포편다년적침적,타이강렬적본토의식화농후적현대의식완성료대중국공포전영심미내용상적전향,이대경전적회귀여표현적유미완성료중국공포전영심미형식상적전향,재사회의의급시은효과적동보추구중실현료중국공포전영일차화려적전신。
The latest version of Painted Skin has ended the multi-decade long slumber of the Chinese horror movie.With its deep native consciousness and profoundly modernistic narrative structure,it turns out to be a turning point in the development of the content of the Chinese horror movie s aesthetics.Besides,as it turns back to reenact a classic and strives to embody aestheticism,the movie also becomes the indicator for the change of the form of the Chinese Horror Movie s Aesthetics.The new version of Painted Skin,in its effort to get across a clear social meaning and produce best - possible audio - visual effect, unmistakably signals the transformation of the Chinese horror movie.
