西南大学学报:社会科学版
西南大學學報:社會科學版
서남대학학보:사회과학판
Journal of Southwest University:Humanities and Social Sciences Edition
2009年
6期
58~61
,共null页
认知 美感认识论 美感经验 课程与教学关系
認知 美感認識論 美感經驗 課程與教學關繫
인지 미감인식론 미감경험 과정여교학관계
cognition; theory of aesthetic knowing; aesthetic experience; relationship between curriculum and teaching
美感认识理论的基本论点是:人的认知活动除了逻辑思考,还包含感官知觉和情感的作用。不同的感官知觉让人藉着不同的途径由外界获得信息,细致分辨其中的特质,让人有真切的认识。基于感官知觉所发展出来的表征形式,更让人藉以将自己的知识公开化,参与社会与文化的建构。当知觉与知识相互结合,人还能发展出直觉的能力,让我们藉着“有信息基础的猜测”,迅速掌握整体情境特质。学校课程若要改变孩子的心智能力,则应提供孩子通过多重表征形式去理解与建构意义的经验。如此具有美感体验的课程无法事先完全规划,而必须由教与学的历程经验来完成,所以,由美感认识理论来看,课程根本是在教学中形成的,无教学不足以成课程。
美感認識理論的基本論點是:人的認知活動除瞭邏輯思攷,還包含感官知覺和情感的作用。不同的感官知覺讓人藉著不同的途徑由外界穫得信息,細緻分辨其中的特質,讓人有真切的認識。基于感官知覺所髮展齣來的錶徵形式,更讓人藉以將自己的知識公開化,參與社會與文化的建構。噹知覺與知識相互結閤,人還能髮展齣直覺的能力,讓我們藉著“有信息基礎的猜測”,迅速掌握整體情境特質。學校課程若要改變孩子的心智能力,則應提供孩子通過多重錶徵形式去理解與建構意義的經驗。如此具有美感體驗的課程無法事先完全規劃,而必鬚由教與學的歷程經驗來完成,所以,由美感認識理論來看,課程根本是在教學中形成的,無教學不足以成課程。
미감인식이론적기본론점시:인적인지활동제료라집사고,환포함감관지각화정감적작용。불동적감관지각양인자착불동적도경유외계획득신식,세치분변기중적특질,양인유진절적인식。기우감관지각소발전출래적표정형식,경양인자이장자기적지식공개화,삼여사회여문화적건구。당지각여지식상호결합,인환능발전출직각적능력,양아문자착“유신식기출적시측”,신속장악정체정경특질。학교과정약요개변해자적심지능력,칙응제공해자통과다중표정형식거리해여건구의의적경험。여차구유미감체험적과정무법사선완전규화,이필수유교여학적역정경험래완성,소이,유미감인식이론래간,과정근본시재교학중형성적,무교학불족이성과정。
The key point of the theory Of aesthetic knowing is that human's cognition involves the function of perception and emotion in addition to reasoning. By means of a variety of senses, we catch data of the world, distinguish the qualities in environment, and achieve in-depth understandings. Forms of representation developed based on senses become the ways for people to make their knowledge public and participate in construction of culture. By intuition which is constituted of sensory perception and knowledge, we are able to grasp the gestalt quality based on informed guesses. As a mind-alter device, school curriculum is supposed to offer students the experience to understand and construct meanings through multi forms of representation. This kind of curriculum formed by aesthetic experience can't be planned completely beforehand, but is fulfilled by the interaction between teacher and students. Therefore, on the standpoint of aesthetic knowing theory, curriculum must be formed in the process of teaching. There is no curriculum without teaching and learning.