CAJ | 학술논문

工笔画近20年来全面复兴，期间就有一些理论家和画家对工笔画是否有写意性进行了阐述，总体上有两种观点：一是认为工笔画不具有写意性，持此观念的人对工笔画抱有误解；二是认为工笔画中有写意性，但没有系统地从理论和作品展示两个方面去分析并阐述工笔画是如何体现写意性的。传统工笔画的写意性主要体现在作品的线条和诗词入画方面，而现代工笔画的写意性则体现在画家造型、色彩调配和画面制作上。
공필화근20년래전면복흥，기간취유일사이론가화화가대공필화시부유사의성진행료천술，총체상유량충관점：일시인위공필화불구유사의성，지차관념적인대공필화포유오해；이시인위공필화중유사의성，단몰유계통지종이론화작품전시량개방면거분석병천술공필화시여하체현사의성적。전통공필화적사의성주요체현재작품적선조화시사입화방면，이현대공필화적사의성칙체현재화가조형、색채조배화화면제작상。
The fine brush painting has been reviving in the last 20 years. Some artists and theorists propose that fine brush painting bears the features of freehand bmshwork, and in general there are two concepts. The first concepl sees the lack of painting freehand, and holds should be strengthened, which is a misunderstanding. The second concept think, fine brush painting have the features of freehand brushwork, but there is no theoretical analysis or how the fine brush painting embodies the features of the freehand brushwork from the two aspects of works and theory. This paper, by explaining the concept , origin and the characteristics of the fine brush painting, attempts to prove the existence of the features of freehand brashwork.