CAJ | 학술논문

19世纪末至20世纪40年代的中国现代美学取得了显著成就,也形成了其理论建构与人生关怀相统一的重要特色。它以关注现实关怀生存为要旨,凸显了鲜明的人生精神、积极的美育指向、内在的诗性情怀和强烈的文化批判意识。这也正是中国现代美学传承发扬民族美学固有的精神传统,并融会创化中西美学、文化、艺术思想的诸元素而形成的重要品格。
19세기말지20세기40년대적중국현대미학취득료현저성취,야형성료기이론건구여인생관부상통일적중요특색。타이관주현실관부생존위요지,철현료선명적인생정신、적겁적미육지향、내재적시성정부화강렬적문화비판의식。저야정시중국현대미학전승발양민족미학고유적정신전통,병융회창화중서미학、문화、예술사상적제원소이형성적중요품격。
From the late 19th century to the 1940 s,a well-accomplished theoretical framework is established in modern chinese aesthetics,with emphasis on human well-being. Concerned about human existence,it foregrounds vigorous attitudes towards life,positive orientation in aesthetic education,inherent poetic inclination and a strong sense of cultural criticism. It bears inheritance to chinese aesthetic traditions and merges the aesthetic,cultural and artistic elements in chinese and western thoughts.