CAJ | 학술논문

“狂欢化”是巴赫金在研究欧洲中世纪和文艺复兴时期民间文化及文学创作的基础上提出并系统阐释的一种文化与文学理论。在中周小说界经历多种“现代性”探索与实验后却仍然迷茫于“不知路在何方”之时，狂欢化理论为小说创作指点了“后现代”之路。韩寒的《光荣日》是具有鲜明的后现代狂欢化叙事特征的小说，主要表现为空间戏仿化、人物边缘化、情节双声化和语言粗鄙化。
“광환화”시파혁금재연구구주중세기화문예복흥시기민간문화급문학창작적기출상제출병계통천석적일충문화여문학이론。재중주소설계경력다충“현대성”탐색여실험후각잉연미망우“불지로재하방”지시，광환화이론위소설창작지점료“후현대”지로。한한적《광영일》시구유선명적후현대광환화서사특정적소설，주요표현위공간희방화、인물변연화、정절쌍성화화어언조비화。
Carnival is a cultural and literary theory put forward and systematically interpreted by Bakhtin on the basis of his study of popular culture and literature creation in medieval and Renaissance Europe. Chinese novel circles have witnessed a variety of ＂modern＂ explorations and experimentations, but still been confused by the problem of ＂which road to take. ＂ The introduction of the theory of carnival fiction points out the ＂post-modern＂ direction for Chinese novel creation. HAN Han＇ s Glory Day is a novel with distinctive features of post-modern carnival narrative novel, embodied by the use of space parody, marginalized characters, double voices of the plots and vulgar language.