陕西师范大学学报：哲学社会科学版
陝西師範大學學報：哲學社會科學版
협서사범대학학보：철학사회과학판
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
2010年
1期
65~70
,共null页
唐代立部伎 唐代坐部伎 演奏方式 乐部
唐代立部伎 唐代坐部伎 縯奏方式 樂部
당대립부기 당대좌부기 연주방식 악부
the ＂Sitting Court Musicians＂ of the Tang Dynasty; the ＂Standing Court Musicians＂ of the Tang Dynasty; manner of performance; imperial music department; the date of establishment
唐史文献中有关“立、坐部伎”14部曲目及其内容的记载，或详或略，大致相同，但对“立、坐部伎”的始置时间，却无确切表述。晚近学者研究考索之观点，也不尽相同。运用历史个案与时代背景综合考察的思维逻辑和历史学的“内证”方法，从认识宏观历史演变的基本面貌和理清具体史实的时间环节人手，排比史料，经过分析论证，结论是自贞观十四年起，“立、坐部伎”的曲目已各有4部，具备了设置乐部的基本条件。
唐史文獻中有關“立、坐部伎”14部麯目及其內容的記載，或詳或略，大緻相同，但對“立、坐部伎”的始置時間，卻無確切錶述。晚近學者研究攷索之觀點，也不儘相同。運用歷史箇案與時代揹景綜閤攷察的思維邏輯和歷史學的“內證”方法，從認識宏觀歷史縯變的基本麵貌和理清具體史實的時間環節人手，排比史料，經過分析論證，結論是自貞觀十四年起，“立、坐部伎”的麯目已各有4部，具備瞭設置樂部的基本條件。
당사문헌중유관“립、좌부기”14부곡목급기내용적기재，혹상혹략，대치상동，단대“립、좌부기”적시치시간，각무학절표술。만근학자연구고색지관점，야불진상동。운용역사개안여시대배경종합고찰적사유라집화역사학적“내증”방법，종인식굉관역사연변적기본면모화리청구체사실적시간배절인수，배비사료，경과분석론증，결론시자정관십사년기，“립、좌부기”적곡목이각유4부，구비료설치악부적기본조건。
Recorded in different historical documents in the Tang Dynasty were the 14 melodies and their contents for the Standing and Sitting Court Musicians. All the records were basically identical though some were detailed, but others elliptical. However, no records revealed the accurate date when the ＂Standing and Sitting Court Musicians＂ were established. This paper investigated historical cases under a comprehensive historical background by means of historical ＂internal evidence＂ and examined historical materials to recognize the general scene of historical evolutions and clarify the dates of historical facts. Finally we conclude that up till the 14th year of the imperial title of Zhenguan, the ＂ Standing and Sitting Court Musicians＂ had respectively established four melodies by themselves, and thus were qualified basically to establish a separate imperial music department.
