外国文学研究
外國文學研究
외국문학연구
Foreign Literature Studies
2010年
1期
135~140
,共null页
“纯诗”论 新诗 诗性还原
“純詩”論 新詩 詩性還原
“순시”론 신시 시성환원
pure poetry new poetry Chinese dimension
西方“纯诗”论的终极追寻是诗的文体特质。召唤与确立“诗性”，是其最为根本的美学原则。中国新诗的现代化，自20世纪二十年代开始，摸索出的是一条艰难的“纯诗”之路。但中国新诗接受西方“纯诗”论的影响，并没有全然沿着象征主义的路径展开。而是根据新诗特有的艺术实践，立足于诗性还原这个基本向度，亦即让诗回归诗本身，让新诗成为中国诗，在将“纯诗”论纳入中国诗学范畴的同时，也使西方“纯诗”论逐渐中国化。
西方“純詩”論的終極追尋是詩的文體特質。召喚與確立“詩性”，是其最為根本的美學原則。中國新詩的現代化，自20世紀二十年代開始，摸索齣的是一條艱難的“純詩”之路。但中國新詩接受西方“純詩”論的影響，併沒有全然沿著象徵主義的路徑展開。而是根據新詩特有的藝術實踐，立足于詩性還原這箇基本嚮度，亦即讓詩迴歸詩本身，讓新詩成為中國詩，在將“純詩”論納入中國詩學範疇的同時，也使西方“純詩”論逐漸中國化。
서방“순시”론적종겁추심시시적문체특질。소환여학립“시성”，시기최위근본적미학원칙。중국신시적현대화，자20세기이십년대개시，모색출적시일조간난적“순시”지로。단중국신시접수서방“순시”론적영향，병몰유전연연착상정주의적로경전개。이시근거신시특유적예술실천，립족우시성환원저개기본향도，역즉양시회귀시본신，양신시성위중국시，재장“순시”론납입중국시학범주적동시，야사서방“순시”론축점중국화。
The ultimate goal of Western ＂pure poetry＂ theory is the stylistic characteristics of poetry, and its fundamental aesthetical principle lies in looking for and establishing poeticity. The modernization of new Chinese poetry began in the 1920s and has gone through a difficult time towards ＂pure poetry＂. However, While Chinese new poetry was influenced by Western ＂pure poetry＂, it did not take the route of symbolism. Instead, Chinese new poetry has based itself on the essence of poetry, that is, poeticity, presenting an unmistakable Chinese character. At the same time, Western pure poetry is localizd in the Chinese context.
