云南民族大学学报:哲学社会科学版
雲南民族大學學報:哲學社會科學版
운남민족대학학보:철학사회과학판
Journal of Yunnan Nationalities University:Social Sciences
2010年
2期
147~151
,共null页
象征主义戏剧 生命意识 话语策略
象徵主義戲劇 生命意識 話語策略
상정주의희극 생명의식 화어책략
symbolist drama; life consciousness ; discourse strategy
象征主义戏剧借助于总体性借喻、暗示性意象和结构性对比三种话语策略,着力表现了从无助、无力到自欺的生命意识。象征主义戏剧相信真理的存在,却又不相信可以理性的表达,欲言又止,含而不露,注重渲染与暗示,这就是象征派戏剧的典型话语策略。
象徵主義戲劇藉助于總體性藉喻、暗示性意象和結構性對比三種話語策略,著力錶現瞭從無助、無力到自欺的生命意識。象徵主義戲劇相信真理的存在,卻又不相信可以理性的錶達,欲言又止,含而不露,註重渲染與暗示,這就是象徵派戲劇的典型話語策略。
상정주의희극차조우총체성차유、암시성의상화결구성대비삼충화어책략,착력표현료종무조、무력도자기적생명의식。상정주의희극상신진리적존재,각우불상신가이이성적표체,욕언우지,함이불로,주중선염여암시,저취시상정파희극적전형화어책략。
Symbolist drama uses general metaphor, implicative image and structural contrast as tree discourse strategies to express the life consciousness from helplessness, through powerlessness, to self - cheating. Symbolist drama believes the existence of truth but does not believe that it can be expressed in a rationally way, which leads to such features as silent expression and rich implications.