CAJ | 학술논문

“本色”与“骚雅”，是宋人关于词体审美的一对重要形态。北宋人讲究词的“本色”，南宋人强调词要“骚雅”。这既是时代风气使然，又是宋词发展的必然趋势和结果。二者相辅相成，互为补充，相得益彰。它既反映出中国文学审美内涵的丰富性和审美品味的多样性，又反映出中国文化传统流变与承传的恒定性。
“본색”여“소아”，시송인관우사체심미적일대중요형태。북송인강구사적“본색”，남송인강조사요“소아”。저기시시대풍기사연，우시송사발전적필연추세화결과。이자상보상성，호위보충，상득익창。타기반영출중국문학심미내함적봉부성화심미품미적다양성，우반영출중국문화전통류변여승전적항정성。
＂Nature＂ and ＂grace＂ are a pair of important aesthetic shapes of Song Ci. In Bei Song Dynasty, people paid attention to ＂nature＂ of Song Ci, and stressed ＂grace＂ of Song Ci in Nan Song Dynasty. This is the result of atmosphere at that time, and also is an inevitable developing trend of Song Ci. The two are complementary and can be replenished each other perfectly. It not only refleets the richness of aesthetic connotation and the diversity of aesthetic taste of Chinese literature, but also reflects the constancy of rheology and heritage of Chinese cultural tradition.