考古与文物
攷古與文物
고고여문물
Archaeology and Cultural Relics
2010年
2期
51~59
,共null页
西周 钟镈编列 乐制 身份
西週 鐘镈編列 樂製 身份
서주 종박편렬 악제 신빈
Western Zhou Numbers ofzhong bo bells set Musical system Identity
先秦钟镩无论科学发掘、偶然发现的窖藏还是传世收藏,数量相当可观。对于其研究,长期集中于三个问题:甬钟起源、钟镩名称考辨、编钟编镩所反映的周代音阶乐律。就礼制问题而言,却少有学者从钟镩组合关系入手,分析两周等级制度与乐制关系。
先秦鐘镩無論科學髮掘、偶然髮現的窖藏還是傳世收藏,數量相噹可觀。對于其研究,長期集中于三箇問題:甬鐘起源、鐘镩名稱攷辨、編鐘編镩所反映的週代音階樂律。就禮製問題而言,卻少有學者從鐘镩組閤關繫入手,分析兩週等級製度與樂製關繫。
선진종찬무론과학발굴、우연발현적교장환시전세수장,수량상당가관。대우기연구,장기집중우삼개문제:용종기원、종찬명칭고변、편종편찬소반영적주대음계악률。취례제문제이언,각소유학자종종찬조합관계입수,분석량주등급제도여악제관계。
To focus on the bronzezhong and bo bells during the Western Zhou period and their owners, this paper discusses the formation process of the ritual and musical system in the core region and other vassal states of the Zhou Dynasty. The gradually declined trend of owner's hierarchy might have represented the whole development of ritual system fi'om emergence to collapse. The assemblage ofzhong bells was established in the period of King Mu, but the system before King Zhao is yet to be proved. The zhong bells owners' hierarchy in archaeological records is different from that in ancient textual records. Hence this situation implies that the ancient texts might have been an ideal system described by the Eastern Zhou people. In addition, both the male and female usedzhong bells in the Late Western Zhou period; but the percentage of female was well below than male.