CAJ | 학술논문

文章重点讨论了微型雕塑嚓嚓艺术在藏区传播的历史渊源和相关遗存情况,提出了嚓嚓艺术最初源自印度,于吐蕃赞普拉托托日年赞时期传入藏区的观点。同时,对嚓嚓的印制材料方面进行了简要的介绍,特别提出了嚓嚓的印制材料与四种元素之间的关系,最后以田野考察为依据对传承下来的嚓嚓模具的制作工艺进行了介绍。
문장중점토론료미형조소찰찰예술재장구전파적역사연원화상관유존정황,제출료찰찰예술최초원자인도,우토번찬보랍탁탁일년찬시기전입장구적관점。동시,대찰찰적인제재료방면진행료간요적개소,특별제출료찰찰적인제재료여사충원소지간적관계,최후이전야고찰위의거대전승하래적찰찰모구적제작공예진행료개소。
This paper mainly discusses the historical origin and related remains of the miniature sculpture art Tsatsa in Tibet and proposes that it originated in India and was introduced to Tibet during the reign of Tubo Zanbo Lha Tuotuo Ri Nganzan.It also briefly introduces the materials for making Tsatsa and their relation with the four elements.Finally,based on the field study,it gives an introduction of mold production process.