CAJ | 학술논문

作为20世纪90年代“直面戏剧”的代表人物，萨拉·凯恩近年来深受国内外评论界的关注。她的最后一部剧作《4．48精神崩溃》长久以来被认为是其“自杀宣言”。本文从“创伤”角度出发，通过分析凯恩式的创伤治愈手法和表述方式，说明作家在剧中表达了对生活的热爱与希冀，以及治愈自我、也治愈世界的渴望。
작위20세기90년대“직면희극”적대표인물，살랍·개은근년래심수국내외평론계적관주。저적최후일부극작《4．48정신붕궤》장구이래피인위시기“자살선언”。본문종“창상”각도출발，통과분석개은식적창상치유수법화표술방식，설명작가재극중표체료대생활적열애여희기，이급치유자아、야치유세계적갈망。
As a representative of In-yer-face Theatre in the 1990s, Sarah Kane has received wide attention both at home and abroad in recent years. Her last play 4.48 Psychosis has long been considered her suicide note. This paper applies trauma theory to analyze Kane＇s 4. 48 Psychosis trying to disclose her love for life and her desire to heal her wounded self and the world.