CAJ | 학술논문

本文立足后殖民视野，通过分析主／奴范式在英国文学经典作品《黑暗之心》与《蝇王》中的双层结构及其裂变，反思西方殖民话语中居主导地位的主／奴范式在西方现当代文学中的表征，并借此反思黑格尔哲学中的主／奴辩证思想。《黑暗之心》中主／奴范式在表层结构上呈现为白人殖民者与非洲黑人土著之间充满血腥暴力的主／奴认同关系，在深层结构上却隐匿地表征了作为主人和施暴者的白人殖民者的心理创伤。《蝇王》中主／奴范式在表层结构上裂变为作为主人和施暴者的白人殖民者与作为奴隶和受虐者的被殖民者这一二元对立关系中后者的缺场，在深层结构上却表征了白人施暴者欲望的内爆。
본문립족후식민시야，통과분석주／노범식재영국문학경전작품《흑암지심》여《승왕》중적쌍층결구급기렬변，반사서방식민화어중거주도지위적주／노범식재서방현당대문학중적표정，병차차반사흑격이철학중적주／노변증사상。《흑암지심》중주／노범식재표층결구상정현위백인식민자여비주흑인토저지간충만혈성폭력적주／노인동관계，재심층결구상각은닉지표정료작위주인화시폭자적백인식민자적심리창상。《승왕》중주／노범식재표층결구상렬변위작위주인화시폭자적백인식민자여작위노대화수학자적피식민자저일이원대립관계중후자적결장，재심층결구상각표정료백인시폭자욕망적내폭。
This paper is intended to analyze the surface and deep structure of Master/Slave pattern and its variations as exemplified in Heart of Darkness and Lord of the Flies from post-colonial perspective. It reflects the modern and contemporary literary representation of Master/Slave pattern dominant in Western post-colonial discourse, hereby also contemplates the Master/ Slave Dialectics in Hegelian philosophy. The surface structure of Master/Slave pattern in Heart of Darkness is manifested as the identification between the White colonizers and the Black natives, while the trauma in the perpetrator Whites caused by isomorphic oppression of colonizing violence is latent in the deep structure of Master/Slave pattern. The surface structure of Master/ Slave pattern in Lord of the Flies changes into the absence of the slave in the coupling of Master/Slave, while the deep structure represents the implosion of desire in the perpetrator Whites.