CAJ | 학술논문

对于中国民族民间舞而言,在新世纪最难以回避的关系,无疑是在民间风格舞蹈创作过程中＂原生态＂与＂舞台化＂的交锋,＂地域风格＂与＂个性创作＂的对应,以及由此生成的＂民族情结＂与＂都市观念＂的相遇。这些关系不仅显现了＂传统与现代＂和＂雅化与还俗＂两大文化特征,而且,在一定程度上还延伸到人类学、民族学以及社会学的文化范畴及其审美领域。本文通过对北京舞蹈学院副院长郭磊教授的访谈,对民间风格舞蹈的编创进行了多方面探讨,涉及田野采风、教学实践及民间文化的历史特性等相关内容,对于这些问题的理解,无疑会有助于我们对当下现实问题的研究与解决。
대우중국민족민간무이언,재신세기최난이회피적관계,무의시재민간풍격무도창작과정중＂원생태＂여＂무태화＂적교봉,＂지역풍격＂여＂개성창작＂적대응,이급유차생성적＂민족정결＂여＂도시관념＂적상우。저사관계불부현현료＂전통여현대＂화＂아화여환속＂량대문화특정,이차,재일정정도상환연신도인류학、민족학이급사회학적문화범주급기심미영역。본문통과대북경무도학원부원장곽뢰교수적방담,대민간풍격무도적편창진행료다방면탐토,섭급전야채풍、교학실천급민간문화적역사특성등상관내용,대우저사문제적리해,무의회유조우아문대당하현실문제적연구여해결。
In the 21st century,an inevitable issue for Chinese folk and ethnic dances is the competition between the＂original style＂ and ＂theatricalization ＂ in the composition of folk dances,the dialogue between ＂local characteristics ＂ and ＂individualized composition＂,the encounter of＂ethnic complex＂and＂urbanized ideas＂.Their relationship not only indicates the two major cultural features of＂tradition vs.modernity＂and ＂higher arts vs.lower arts＂,but also extends beyond the regime of dances,to the cultural categories of anthropology,ethnology,sociology as well as the realm of aesthetic appreciation.This article documents the interview with the vice president of Beijing Dance Academy.The core topic is the study of composition of folk dances.The interview also covers folk song collection,teaching of folk arts and the historical features of folk arts.The deep understanding of these issues will be greatly helpful for the research and solution of the current problems.