CAJ | 학술논문

元朝时期,西藏以萨迦寺为中心的后藏地区,曾出现过一个制作坛城（曼陀罗）壁画的热潮。该艺术热潮的出现大致以萨迦寺、夏鲁寺等为其核心区域,坛城壁画的艺术样式则主要受尼泊尔坛城绘画的影响。纵观西藏美术发展史,卫藏地区（尤其是后藏地区）的坛城壁画的黄金时期显然要比西部古格王国的坛城鼎盛时期晚出,但一经出现持续的时期却长达两个多世纪（13世纪后期～15世纪后期）。文章主要考证元朝绘制坛城壁画的两个重要寺院：萨迦南寺和夏鲁寺的坛城壁画绘制的时期与过程。
원조시기,서장이살가사위중심적후장지구,증출현과일개제작단성（만타라）벽화적열조。해예술열조적출현대치이살가사、하로사등위기핵심구역,단성벽화적예술양식칙주요수니박이단성회화적영향。종관서장미술발전사,위장지구（우기시후장지구）적단성벽화적황금시기현연요비서부고격왕국적단성정성시기만출,단일경출현지속적시기각장체량개다세기（13세기후기～15세기후기）。문장주요고증원조회제단성벽화적량개중요사원：살가남사화하로사적단성벽화회제적시기여과정。
During Yuan Dynasty,it had an upsurge of making Mandala murals in the area of Tsang,taking Sakya Monastery as the center.The appearance of the upsurge takes the Sakya Monastery and Shalu Monastery as the core and its painting style is influenced by Newari painting.Throughout Tibetan art history,the golden time of Mandala mural painting of U-tsang area（especially Tsang area） is obviously later than that of western Guge Kingdom,but it lasts for more than two centuries（late of 13-15 centuries）.This paper mainly researches the the time and process of Mandala mural paintings in South Sakya Monastery and Shalu Monastery---two of the important monasteries painting Mandala murals in the time of Yuan Dynasty.