CAJ | 학술논문

后现代主义文本在句法上摒弃连续性，用排比这样一种“离开中心”的后现代主义手法构成一种特殊的文本。英国后现代主义作家福尔斯的小说《法国中尉的女人》将维多利亚历史重构在叙事中，形成文学与历史的排比，构成文本的互文性；将人类自由、人类解放、后现代叙事进化等语义单位并置，揭示意义的多元化；为故事提供了三个不真实的结局，表明世界的不确定性。这种排比构成的真实与虚构交织的文本揭示了历史和现实是虚构的、不确定的。
후현대주의문본재구법상병기련속성，용배비저양일충“리개중심”적후현대주의수법구성일충특수적문본。영국후현대주의작가복이사적소설《법국중위적녀인》장유다리아역사중구재서사중，형성문학여역사적배비，구성문본적호문성；장인류자유、인류해방、후현대서사진화등어의단위병치，게시의의적다원화；위고사제공료삼개불진실적결국，표명세계적불학정성。저충배비구성적진실여허구교직적문본게시료역사화현실시허구적、불학정적。
The postmodernist text spurns continuity in syntax and uses permutation, a postmodernist technique which moves away from the center, to form a special text. The French Lieutenant＇s Woman, a novel by English postmodernist writer John Fowles, reconstructs the Victorian history in the narrative and thus forms the permutation of literature and history, structuring intertextuality of the text. It juxtaposes such semantic units as human freedom, human emancipation and the evolution of postmodern narrative, revealing pluralism of meaning. The novel also offers three untrue endings for the story, showing indeterminacy of the world. The text of the novel formed by permutation and interwoven with truth and invention opens out that both history and reality are invented and uncertain.