外国文学研究
外國文學研究
외국문학연구
Foreign Literature Studies
2010年
4期
32~41
,共null页
叙事 女性主义 情节 交叉性 叙事学
敘事 女性主義 情節 交扠性 敘事學
서사 녀성주의 정절 교차성 서사학
narrative feminism plot intersectionality narratology
自"走向女性主义叙事学"(1986)一文发表以来,女性主义和叙事学都发生了巨大的变化。女性主义解构了性别的基要性概念,而对于语境和认知的思考也使得叙事学更为复杂化。女性主义叙事学对其帮助营造的"后经典"环境做出了富有成果的反应。本文雄心勃勃地提出一个集体合作的议程,通过交叉性的女性主义,不仅可以绘制跨越时空的叙事模式图式,而且也可以被这些叙事模式所映射,进而解释差异的原因,创造一种深度地域性的,因而跨文化和跨历史的叙事学。本文作者还将进一步表明"交叉性"本身就是一个叙事课题,因此女性主义可以用叙事术语加以解读;而且简要地提出"否定性情节"的概念,以此作为一种途径思考叙事给女性研究带来的启示,并在此基础上得出结论:把女性主义叙事学看作是一个合作性的课题需要多个领域众多国际学者的共同努力。
自"走嚮女性主義敘事學"(1986)一文髮錶以來,女性主義和敘事學都髮生瞭巨大的變化。女性主義解構瞭性彆的基要性概唸,而對于語境和認知的思攷也使得敘事學更為複雜化。女性主義敘事學對其幫助營造的"後經典"環境做齣瞭富有成果的反應。本文雄心勃勃地提齣一箇集體閤作的議程,通過交扠性的女性主義,不僅可以繪製跨越時空的敘事模式圖式,而且也可以被這些敘事模式所映射,進而解釋差異的原因,創造一種深度地域性的,因而跨文化和跨歷史的敘事學。本文作者還將進一步錶明"交扠性"本身就是一箇敘事課題,因此女性主義可以用敘事術語加以解讀;而且簡要地提齣"否定性情節"的概唸,以此作為一種途徑思攷敘事給女性研究帶來的啟示,併在此基礎上得齣結論:把女性主義敘事學看作是一箇閤作性的課題需要多箇領域衆多國際學者的共同努力。
자"주향녀성주의서사학"(1986)일문발표이래,녀성주의화서사학도발생료거대적변화。녀성주의해구료성별적기요성개념,이대우어경화인지적사고야사득서사학경위복잡화。녀성주의서사학대기방조영조적"후경전"배경주출료부유성과적반응。본문웅심발발지제출일개집체합작적의정,통과교차성적녀성주의,불부가이회제과월시공적서사모식도식,이차야가이피저사서사모식소영사,진이해석차이적원인,창조일충심도지역성적,인이과문화화과역사적서사학。본문작자환장진일보표명"교차성"본신취시일개서사과제,인차녀성주의가이용서사술어가이해독;이차간요지제출"부정성정절"적개념,이차작위일충도경사고서사급녀성연구대래적계시,병재차기출상득출결론:파녀성주의서사학간작시일개합작성적과제수요다개영역음다국제학자적공동노력。
Feminism and narratology have changed dramatically since "Toward a Feminist Narratology" was published in 1986. Feminism has deconstructed essentialized notions of gender,while narratology has been complicated by considerations of cognition and context. Feminist narratology has responded productively to this "postclassical" environment that it has also helped to create. My essay proposes an ambitious collective agenda whereby "intersectional" feminism can now map and be mapped by narrative patterns across time and space,accounting for vectors of difference to create a narratology that is deeply locational and therefore cross-cultural and historical. I will further argue that "intersectionality" is itself a narrative project and that feminism can therefore be read in narrative terms. I will work briefly with a concept I call "negative plotting" as one way to think about the implications of narrative for feminist studies and conclude by recognizing feminist narratology as a collaborative project requiring an international community working on multiple fronts.