福建师范大学学报：哲学社会科学版
福建師範大學學報：哲學社會科學版
복건사범대학학보：철학사회과학판
Journal of Fujian Normal University(Philosophy and Social Sciences Edtion)
2010年
5期
95~99
,共null页
八闽美术会 东冶艺集 海峤印集 旅台闽籍画家 传统绘画 传承
八閩美術會 東冶藝集 海嶠印集 旅檯閩籍畫傢 傳統繪畫 傳承
팔민미술회 동야예집 해교인집 려태민적화가 전통회화 전승
Fujian Fine Arts Council, Dongye painting album, Haiqiao album, Taiwan-resident Fujian artist, traditional painting, inheritance.
上世纪60年代，台湾当局大力推行“中华文化复兴运动”，倡导中华民族精神，弘扬传统文化。因此，激发了一批旅台文化人的爱国热情，纷纷组织民间美术团体，藉此抒发积郁已久的思乡情结。由福建省旅台各界爱好中华传统文化艺术人士组成的民间美术团体“八闽美术会”就在这特殊的社会历史背景下应运而生，历经40多年，发展成为现代台湾为数不多美术专业艺术创作的主流群体。对台湾现代中国传统艺术文化的发展起到积极的促进作用。本文通过“八闽美术会”在发展过程中，面对台湾中国传统艺术文化层面上所经历的变革，从其“形成与发展”和“对中华传统绘画艺术的传承与作用”的纵横两个方面，透析其对现代台湾美术界所起的重要影响，论述其在台湾中华传统文化艺术传承和发展的重要地位。
上世紀60年代，檯灣噹跼大力推行“中華文化複興運動”，倡導中華民族精神，弘颺傳統文化。因此，激髮瞭一批旅檯文化人的愛國熱情，紛紛組織民間美術糰體，藉此抒髮積鬱已久的思鄉情結。由福建省旅檯各界愛好中華傳統文化藝術人士組成的民間美術糰體“八閩美術會”就在這特殊的社會歷史揹景下應運而生，歷經40多年，髮展成為現代檯灣為數不多美術專業藝術創作的主流群體。對檯灣現代中國傳統藝術文化的髮展起到積極的促進作用。本文通過“八閩美術會”在髮展過程中，麵對檯灣中國傳統藝術文化層麵上所經歷的變革，從其“形成與髮展”和“對中華傳統繪畫藝術的傳承與作用”的縱橫兩箇方麵，透析其對現代檯灣美術界所起的重要影響，論述其在檯灣中華傳統文化藝術傳承和髮展的重要地位。
상세기60년대，태만당국대력추행“중화문화복흥운동”，창도중화민족정신，홍양전통문화。인차，격발료일비려태문화인적애국열정，분분조직민간미술단체，자차서발적욱이구적사향정결。유복건성려태각계애호중화전통문화예술인사조성적민간미술단체“팔민미술회”취재저특수적사회역사배경하응운이생，력경40다년，발전성위현대태만위수불다미술전업예술창작적주류군체。대태만현대중국전통예술문화적발전기도적겁적촉진작용。본문통과“팔민미술회”재발전과정중，면대태만중국전통예술문화층면상소경력적변혁，종기“형성여발전”화“대중화전통회화예술적전승여작용”적종횡량개방면，투석기대현대태만미술계소기적중요영향，논술기재태만중화전통문화예술전승화발전적중요지위。
The Taiwan folk fine art association is the epitome of pluralism. In the 1960s, the authority pushed on with ＂The Revival of Chinese Culture＂, advocated Chinese nation＇s spirit and enhanced the traditional culture. It stimulated the patriotic enthusiasm of culturatis travelling to Taiwan. So they organized folk groups one and another to express the sorrow of their homesick. The Ba Min fine arts group made by the culturatis and the artisans was born in this background. After 40 years development, it becomes one of the few main groups of fine arts creations and actively influences the Chinese traditional art and culture＇s promotion in contemporary Taiwan. Through facing the revolution of the Chinese traditional art and culture in Ba Min fine arts group, this essay dissects its great influence to art circles in Taiwan from two aspects： one is the form and the development of the group; the other is inheritance to and effect on Chinese painting. The essay discourses the high social standing in inheritance to and development of the traditional Chinese art and culture in Taiwan.
