CAJ | 학술논문

《伤逝》超越了传统怨弃型作品对两性关系的简单是非道德判断，藉由始乱终弃模式，通过弃妇子君观照出中国男性文人的人格特质，审视其爱情心理特点和审美旨趣，其中不无鲁迅私人化体验。涓生对子君的爱本质上是对理想中的拯救者幻象的爱，而他的被拯救是通过拯救（向子君启蒙）而获得。涓生是文化复合型人格的文人经典形象，旧文人的“女儿”情结和新文学青年的启蒙精神的双重价值观使他成为中国爱情文学史上的独特的真诚负心郎。
《상서》초월료전통원기형작품대량성관계적간단시비도덕판단，자유시란종기모식，통과기부자군관조출중국남성문인적인격특질，심시기애정심리특점화심미지취，기중불무로신사인화체험。연생대자군적애본질상시대이상중적증구자환상적애，이타적피증구시통과증구（향자군계몽）이획득。연생시문화복합형인격적문인경전형상，구문인적“녀인”정결화신문학청년적계몽정신적쌍중개치관사타성위중국애정문학사상적독특적진성부심랑。
Lu Xun＇s Regret for the Past is beyond the simple moral judge on the sexual relations in traditional literary works. The author of the story tries to reflect the personality and the psychological features in his love and aesthetic views of the Chinese man of letters. The love of Juansheng towards Zijun in nature is an illusion love of a savor but his being saved is achieved through saving Zijun. The traditional complex of female in man of letters combined with pioneering spirit in literary youth of the new generation have made Juansheng a special and sincere faithless man in Chinese love history.