CAJ | 학술논문

二胡是中国当代民族乐器中最重要的乐器之一,它在今天的音乐创作和音乐生活中起着十分重要的作用。然而作为一件有着几百年历史的乐器,直到20世纪才得以极其迅速地发展。20世纪以来,尤其是＂五四＂文化运动的推进,在刘天华、刘文金等人为代表的音乐家的推动下,二胡在音乐创作、音乐演奏、情感表达、社会地位等方面都获得了全方位的提升。回顾二胡在20世纪中几个阶段的改革,思考其人文内涵,对我们进一步研究二胡事业的发展有着积极的意义。
이호시중국당대민족악기중최중요적악기지일,타재금천적음악창작화음악생활중기착십분중요적작용。연이작위일건유착궤백년역사적악기,직도20세기재득이겁기신속지발전。20세기이래,우기시＂오사＂문화운동적추진,재류천화、류문금등인위대표적음악가적추동하,이호재음악창작、음악연주、정감표체、사회지위등방면도획득료전방위적제승。회고이호재20세기중궤개계단적개혁,사고기인문내함,대아문진일보연구이호사업적발전유착적겁적의의。
Erhu is one of the most important contemporary Chinese folk musical instruments.It plays an important role in today＇s music creation and music life.However,as a centuries-old musical instrument,it was unable to develop rapidly until the twentieth century.Since the 20th century,especially with the promotion of the May Fourth New Culture Movement,owing to Liu Tianhua and Liu Wenjin＇s great effort,erhu gets a comprehensive upgrade in music creation,music performance and emotion expression and its social status has also been improved.It is significant for the further research on erhu to recall the several stages of the reform of erhu during the 20th century and to think about its cultural implication.