CAJ | 학술논문

在古代中国向现代中国转型的关键期,陈季同描述的＂家庭中国＂、辜鸿铭塑造的＂道德中国＂以及林语堂想象的审美化的＂人文中国＂,向西方展示了一种价值中国的形象,这是对文化转型时中西文化冲突的一种积极回应。这一回应的特殊之处体现在两个层面：一方面,这些中国形象都隐含着对西方现代性理念的认同,是通过中国人建构中国形象而参与到西方中国想象的话语谱系之中;另一方面,它是以中国自身的形象建构表现出对西方中国想象的反拨与重建,明显地带有对西方问题的思考和想象,由此形成了中国形象与西方中国想象以及与西方自身想象的一种对话关系,这不仅可以改变西方原本存在的中国想象,也能够让西方世界从对话的场域中重新发现自己。
재고대중국향현대중국전형적관건기,진계동묘술적＂가정중국＂、고홍명소조적＂도덕중국＂이급림어당상상적심미화적＂인문중국＂,향서방전시료일충개치중국적형상,저시대문화전형시중서문화충돌적일충적겁회응。저일회응적특수지처체현재량개층면：일방면,저사중국형상도은함착대서방현대성이념적인동,시통과중국인건구중국형상이삼여도서방중국상상적화어보계지중;령일방면,타시이중국자신적형상건구표현출대서방중국상상적반발여중건,명현지대유대서방문제적사고화상상,유차형성료중국형상여서방중국상상이급여서방자신상상적일충대화관계,저불부가이개변서방원본존재적중국상상,야능구양서방세계종대화적장역중중신발현자기。
In the critical period of transition from ancient China to modern China,the ″Family China″ described by Tcheng Ki-tong,the ″Moral China″ written by Ku Hung-ming and the aesthetic ″Cultural China″ praised by Lin Yutang demonstrated to the Western world the value of China image.The concepts of these Chinese self-portraits were realized from two perspectives：on the one hand,these China images implied a recognition of the Western concept of modernity,which formed part of the discussions about the China image among the Western world,but on the other hand,they corrected the Western images of China and created a new image for China,taking into account the problems in the Western world.As a result,there was a dialogue between the Chinese self-portraits,Chinese Image projections by the Westerners and their self recognition.This interactive relationship has helped the Westerners not only to change their understanding of China,but also to discover more about themselves.