敦煌研究
敦煌研究
돈황연구
Dunhuang Research
2010年
5期
36~46
,共null页
观音救难 第359窟 屏风画 释读
觀音救難 第359窟 屏風畫 釋讀
관음구난 제359굴 병풍화 석독
Avalokiteshrara’s saving life from sufferings; Cave 359; Screen-painting; Interpretation
本文认为,莫高窟第359窟西壁龛内屏风画表现的并不是《药师经》中＂九横死＂的内容,而是依《观音经》内容所绘,主要表现＂观音救诸难＂的内容。在此基础上,本文还推论本窟屏风画与西披画面相组合,共同表达了对《法华经》的信仰。
本文認為,莫高窟第359窟西壁龕內屏風畫錶現的併不是《藥師經》中＂九橫死＂的內容,而是依《觀音經》內容所繪,主要錶現＂觀音救諸難＂的內容。在此基礎上,本文還推論本窟屏風畫與西披畫麵相組閤,共同錶達瞭對《法華經》的信仰。
본문인위,막고굴제359굴서벽감내병풍화표현적병불시《약사경》중＂구횡사＂적내용,이시의《관음경》내용소회,주요표현＂관음구제난＂적내용。재차기출상,본문환추론본굴병풍화여서피화면상조합,공동표체료대《법화경》적신앙。
This article has made a comparative study on the screen-paintings inside the niche of Cave 359 Mogao Grottoes and drew a conclusion that the screen-paintings are not the representations of the Nine-unexpected-death of Tathōgata Bhai ajyaguru Sūtra, but Avalokiteshrara’s saving life from sufferings, the illustrations to Avalokiteshrara story from Saddharmapundarika Sūtra. This article thus inferred that the screen-painting served as a combining form with the paintings on the western celling of Cave 359 together to presenting the belief of Saddharmapundarika-Stura..
